Works are in the public domain if they are not covered by intellectual property rights, such as copyright, at all, or if the intellectual property rights to the works has expired.
History
Mickey Mouse and copyright law - Mickey Mouse â€" the icon of the Walt Disney Company and one of the most recognizable characters in the world â€" has become the standard by which how long copyrights can last. Mickey was...
Every work created before the introduction of copyright is in the public domain. In the United States copyright begins with the Constitution in 1787, also works belongs to public domain when copyright has expired.
Public domain works in the US
Public domain literature
Among books in public domain in United States can be named the following:
- Jonathan Dickinson's Journal by Jonathan Dickinson,
- Notes on the State of Virginia by Thomas Jefferson
- Books written by Edgar Allan Poe,
- Sky-Walk by Charles Brockden Brown
- The Murders in the Rue Morgue by Edgar Allan Poe
- Bracebridge Hall and The Sketch Book of Geoffrey Crayon, Gent. by Washington Irving
- The Scarlet Letter by Nathaniel Hawthorne
- David Copperfield by Charles Dickens
- Moby-Dick by Herman Melville
- Uncle Tom's Cabin by Harriet Beecher Stowe
- The Adventures of Tom Sawyer by Mark Twain
- Mrs Dalloway by Virginia Woolf
- The Invisible Man by H. G. Wells
- Many Marriages by Sherwood Anderson
- The Moon Pool by A. Merritt
- Ulysses by James Joyce
Public domain images
Thousands of paintings and photographs are under public domain in the USA, some of these are photographs taken by Jacob Riis, Mathew Brady and Alfred Stieglitz.
Sound recordings under public domain
Sound recordings fixed in a tangible form before February 15, 1972, have been generally covered by common law or in some cases by anti-piracy statutes enacted in certain states, not by federal copyright law, and the anti-piracy statutes typically have no duration limit. As such, virtually all sound recordings, regardless of age, are presumed to still be under copyright protection in the United States. The 1971 Sound Recordings Act, effective 1972, and the 1976 Copyright Act, effective 1978, provide federal copyright for unpublished and published sound recordings fixed on or after February 15, 1972. Recordings fixed before February 15, 1972, are still covered, to varying degrees, by common law or state statutes. Any rights or remedies under state law for sound recordings fixed before February 15, 1972, are not annulled or limited by the 1976 Copyright Act until February 15, 2067. On that date, all sound recordings fixed before February 15, 1972, will go into the public domain in the United States.
For sound recordings fixed on or after February 15, 1972, the earliest year that any will go out of copyright and into the public domain in the U.S. will be 2043, and not in any substantial number until 2048. Sound recordings fixed and published on or after February 15, 1972, and before 1978, which did not carry a proper copyright notice on the recording or its cover entered the public domain on publication. From 1978 to March 1, 1989, the owners of the copyrights had up to five years to remedy this omission without losing the copyright. Since March 1, 1989, no copyright notice has been required.
Librivox is a website with thousands of audiobooks created by volunteers who record themselves reading public domain texts that people with visual impairment and the general public can download and listen to for free.
Public domain videos
Since the invention of video capture and animation techniques, thousand of videos have entered the public domain. Some examples are the following:
TV series
Most TV shows created before the 1970s, as well as those produced as the official work of the United States government, have entered the public domain, as well as shows whose copyright holders have voluntarily released them. Some of these are as follows:
- Dick Tracy
- Crawford Mystery Theatre
- Miss U.S. Television
- Opera Cameos
- Queen for a Day
- The Johnny Carson Show
- The Johns Hopkins Science Review
- Shotgun Slade
Public domain films
Hundreds of American films are in the public domain because they were never copyrighted or their copyrights have expired. These movies can be viewed online at websites like Internet Archive and can also be downloaded from websites like Public Domain Torrents. Some of these are:
- Charade (1963)
- Night of the Living Dead (1968)
- The Little Shop of Horrors (1960)
Public domain animated films
Hundreds of American animated films are in the public domain, including:
- Gulliver's Travels (1939 film)
- Popeye the Sailor Meets Sindbad the Sailor
- The Mummy Strikes
- Pantry Panic
- Who's Who in the Zoo (1942, part of Looney Tunes series by Warner Bros.)
Public domain in copyrighted works in the United States
Congress has restored expired copyrights several times: "After World War I and after World War II, there were special amendments to the Copyright Act to permit for a limited time and under certain conditions the recapture of works that might have fallen into the public domain, principally by aliens of countries with which we had been at war." Works published with notice of copyright or registered in unpublished form in the years 1964 through 1977 automatically had their copyrights renewed for a second term. Works published with notice of copyright or registered in unpublished form on or after January 1, 1923, and prior to January 1, 1964, had to be renewed during the 28th year of their first term of copyright to maintain copyright for a full 95-year term. With the exception of maps, music, and movies, the vast majority of works published in the United States before 1964 were never renewed for a second copyright term.
Works "prepared by an officer or employee of the U.S. government as part of that person's official duties" are automatically in the public domain by law. Examples include military journalism, federal court opinions (but not necessarily state court opinions), congressional committee reports, and census data. However, works created by a contractor for the government are still subject to copyright. Even public domain documents may have their availability limited by laws limiting the spread of classified information.
The claim that "pre-1923 works are in the public domain" is correct only for published works; unpublished works are under federal copyright for at least the life of the author plus 70 years. For a work for hire, the copyright in a work created before 1978, but not theretofore in the public domain or registered for copyright, subsists from January 1, 1978, and endures for a term of 95 years from the year of its first publication, or a term of 120 years from the year of its creation, whichever expires first. If the work was created before 1978 but first published 1978â€"2002, the federal copyright will not expire before 2047.
Until the Berne Convention Implementation Act of 1988, the lack of a proper copyright notice would place an otherwise copyrightable work into the public domain, although for works published between January 1, 1978, and February 28, 1989, this could be prevented by registering the work with the Library of Congress within five years of publication. After March 1, 1989, an author's copyright in a work begins when it is fixed in a tangible form; neither publication nor registration is required, and a lack of a copyright notice does not place the work into the public domain.
In January 2019, old published works will resume entering the Public Domain under the Copyright Term Extension Act. Works from 1923 that have identified as known to enter public domain in the first wave include the novel, The Great American Novel, by William Carlos Williams; the film, The Ten Commandments, by Cecil B. DeMille; and the musical, London Calling!, by Noel Coward.
Sound recordings
Very few sound recordings are in the public domain in the United States. Sound recordings fixed in a tangible form before February 15, 1972, have been generally covered by common law or in some cases by anti-piracy statutes enacted in certain states, not by federal copyright law, and the anti-piracy statutes typically have no duration limit. The 1971 Sound Recordings Act, effective 1972, and the 1976 Copyright Act, effective 1978, provide federal copyright for unpublished and published sound recordings fixed on or after February 15, 1972. Recordings fixed before February 15, 1972, are still covered, to varying degrees, by common law or state statutes. Any rights or remedies under state law for sound recordings fixed before February 15, 1972, are not annulled or limited by the 1976 Copyright Act until February 15, 2067. On that date, all sound recordings fixed before February 15, 1972, will go into the public domain in the United States.
For sound recordings fixed on or after February 15, 1972, the earliest year that any will go out of copyright and into the public domain in the U.S. will be 2043, and not in any substantial number until 2048. Sound recordings fixed and published on or after February 15, 1972, and before 1978, which did not carry a proper copyright notice on the recording or its cover entered the public domain on publication. From 1978 to March 1, 1989, the owners of the copyrights had up to five years to remedy this omission without losing the copyright. Since March 1, 1989, no copyright notice has been required.
Examples
In the United States, the images of Frank Capra's film It's a Wonderful Life (1946) entered into the public domain in 1974, because the copyright holder failed to file a renewal application with the Copyright Office during the 28th year after the film's release or publication. However, in 1993, Republic Pictures utilized the 1990 United States Supreme Court ruling in Stewart v. Abend to enforce its claim of copyright because the film was a derivative work of a short story that was under a separate, existing copyright, to which Republic owned the film adaptation rights, effectively regaining control of the work in its complete form. Currently, Paramount Pictures owns the copyright to the film.
Charles Chaplin re-edited and scored his 1925 film The Gold Rush for reissue in 1942. Subsequently, the 1925 version fell into the public domain when Chaplin's company failed to renew its copyright in 1953, although the 1942 version is still under US copyright.
The distributor of the cult film Night of the Living Dead, after changing the film's title at the last moment before release in 1968, failed to include a proper copyright notice in the new titles, thereby immediately putting the film into the public domain after its release. This provision of US copyright law was revised with the United States Copyright Act of 1976, which allowed such negligence to be remedied within five years of publication.
A number of TV series in America have lapsed into the public domain, in whole or only in the case of certain episodes, giving rise to wide distribution of some shows on DVD. Series that have only certain episodes in the public domain include Petticoat Junction, The Beverly Hillbillies, The Dick Van Dyke Show, The Andy Griffith Show, The Lucy Show, Bonanza, Annie Oakley, and Decoy.
Laws may make some types of works and inventions ineligible for monopoly; such works immediately enter the public domain upon publication. Many kinds of mental creations, such as publicized baseball statistics, are never covered by copyright. However, any special layout of baseball statistics, or the like, would be covered by copyright law. For example, while a phone book is not covered by copyright law, any special method of laying out the information would be.
Copyright notice
In the past, a work would enter the public domain in the United States if it was released without a copyright notice. This was true prior to March 1, 1989, but is no longer the case. Any work (of certain, enumerated types) now receives copyright as soon as it is fixed in a tangible medium.
Computer Software Rental Amendments Act
There are several references to putting copyrighted work into the public domain. The first reference is actually in a statute passed by Congress, in the Computer Software Rental Amendments Act of 1990 (Public Law 101â€"650, 104 Stat. 5089 (1990)). Although most of the Act was codified into Title 17 of the United States Code, there is a very interesting provision relating to "public domain shareware" which was not, and is therefore often overlooked.
- Sec. 805. Recordation of Shareware
- (a) IN GENERALâ€" The Register of Copyrights is authorized, upon receipt of any document designated as pertaining to computer shareware and the fee prescribed by section 708 of title 17, United States Code, to record the document and return it with a certificate of recordation.
- (b) MAINTENANCE OF RECORDS; PUBLICATION OF INFORMATIONâ€" The Register of Copyrights is authorized to maintain current, separate records relating to the recordation of documents under subsection (a), and to compile and publish at periodic intervals information relating to such recordations. Such publications shall be offered for sale to the public at prices based on the cost of reproduction and distribution.
- (c) DEPOSIT OF COPIES IN LIBRARY OF CONGRESSâ€" In the case of public domain computer shareware, at the election of the person recording a document under subsection (a), 2 complete copies of the best edition (as defined in section 101 of title 17, United States Code) of the computer shareware as embodied in machine-readable form may be deposited for the benefit of the Machine-Readable Collections Reading Room of the Library of Congress.
- (d) REGULATIONSâ€" The Register of Copyrights is authorized to establish regulations not inconsistent with law for the administration of the functions of the Register under this section. All regulations established by the Register are subject to the approval of the Librarian of Congress.
One purpose of this legislation appears to be to allow "public domain shareware" to be filed at the Library of Congress, presumably so that the shareware would be more widely disseminated. Therefore, one way to release computer software into the public domain might be to make the filing and pay the $20 fee. This could have the effect of "certifying" that the author intended to release the software into the public domain. It does not seem that registration is necessary to release the software into the public domain, because the law does not state that public domain status is conferred by registration. Judicial rulings supports this conclusion, see below.
By comparing paragraph (a) and (c), one can see that Congress distinguishes "public domain" shareware as a special kind of shareware. Because this law was passed after the Berne Convention Implementation Act of 1988, Congress was well aware that newly created computer programs (two years worth, since the Berne Act was passed) would automatically have copyright attached. Therefore, one reasonable inference is that Congress intended that authors of shareware would have the power to release their programs into the public domain. This interpretation is followed by the Copyright Office in 37 C.F.R. § 201.26.
Berne Convention Implementation Act
The Berne Convention Implementation Act of 1988 states in section twelve that the Act "does not provide copyright protection for any work that is in the public domain." The congressional committee report explains that this means simply that the Act does not apply retroactively.
Although the only part of the act that does mention "public domain" does not speak to whether authors have the right to dedicate their work to the public domain, the remainder of the committee report does not say that they intended copyright to be an indestructible form of property. Rather the language speaks about getting rid of copyright formalities in order to comply with Berne (non-compliance had become a severe impediment in trade negotiations) and making registration and marking optional, but encouraged. A fair reading is that the Berne Act did not intend to take away author's right to dedicate works to the public domain, which they had (by default) under the 1976 Act.
Section 203 of the Copyright Act
Although there is support in the statutes for allowing work to be dedicated to the public domain, there cannot be an unlimited right to dedicate work to the public domain because of a quirk of U.S. copyright law which grants the author of a work the right to cancel "the exclusive or nonexclusive grant of a transfer or license of copyright or of any right under a copyright" thirty-five years later, unless the work was originally a work for hire.
It is unsettled how this section would mesh with a purported public domain dedication. Several interpretations are possible:
- No effect. Any holder of a copyright can release it to the public domain. This interpretation is probably wrong, because then an author would lose the right to his "termination right," which in practical terms means a royalty. To prevent paying the royalty, a comic book company could release the copyright to the public domain but hold onto the trademark, which would suffice to prevent knock-off comics from being made. Because the Captain America case (Marvel v. Simon) showed that this termination right cannot be alienated before death, this interpretation is almost certainly wrong.
- Some effect. An author may release his own work into the public domain, and a company holding a work for hire may release his work into the public domain. But a company which has purchased a copyright from an author (as was the case with most of the "Golden Age" comic book writers) cannot. Although the distinction of allowing an author to release his own work is not explicit in the statute, it may not be literally inconsistent (it is not a "transfer" or a "license," and it arguably is not a grant of a right under copyright), and this reading is necessary to comply with the 1990 Act discussed above, as well as the case law discussed below.
- Strong effect. Only a company holding a work for hire can release the work into the public domain. Because of the references to "shareware" (above) and "programmers" (below), and the fact that many software companies in the 1980s were quite small (and thus did not have employees), this reading seems inconsistent with the intent of Congress.
Case law
Another form of support comes from the seminal case Computer Associates Int'l v. Altai, 982 F.2d 693. This case set the standard for determining copyright infringement of computer software and is still followed today. Moreover, it was decided by the Second Circuit appellate court, which is famous for handing down some of the most well-reasoned American copyright decisions. In this case, it discusses the public domain.
- (c) Elements Taken from the Public Domain
- Closely related to the non-protectability of scenes a faire, is material found in the public domain. Such material is free for the taking and cannot be appropriated by a single author even though it is included in a copyrighted work. ... We see no reason to make an exception to this rule for elements of a computer program that have entered the public domain by virtue of freely accessible program exchanges and the like. See 3 Nimmer Section 13.03 [F] ; see also Brown Bag Software, slip op. at 3732 (affirming the district court’s finding that "[p]laintiffs may not claim copyright protection of an ... expression that is, if not standard, then commonplace in the computer software industry."). Thus, a court must also filter out this material from the allegedly infringed program before it makes the final inquiry in its substantial similarity analysis.
This decision holds that computer software may enter the public domain through "freely accessible program exchanges and the like," or by becoming "commonplace in the computer industry." Relying only on this decision, it is unclear whether an author can dedicate his work to the public domain simply by labeling it as such, or whether dedication to the public domain requires widespread dissemination.
This could make a distinction in a CyberPatrol-like case, where a software program is released, leading to litigation, and as part of a settlement the author assigns his copyright. If the author has the power to release his work into the public domain, there would be no way for the new owner to stop the circulation of the program. A court may look on an attempt to abuse the public domain in this way with disfavor, particularly if the program has not been widely disseminated. Either way, a fair reading is that an author may choose to release a computer program to the public domain if he can arrange for it to become popular and widely disseminated.
See also
- List of countries' copyright length
- List of films in the public domain in the United States
- List of public domain tangos
- Public domain film
- Public domain music
- Public domain software
- Berne Convention
- Bound by Law? Tales from the Public Domain
- Capitol Records, Inc. v. Naxos of America, Inc.
- Copyfraud
- Copyleft
- Copyright status of work by the U.S. government
- Copyright Term Extension Act
- Creative Commons
- Creativity techniques
- Cultural environmentalism
- Eldred v. Ashcroft
- Fair dealing
- Fair use
- Free software
- Public Domain Enhancement Act
- Public Domain (film)
- Rule of the shorter term
- Street Performer Protocol
- Tales from the Public Domain
- The Uneasy Case for Copyright
- Traditional Knowledge Digital Library
- Transaction cost
References
External links
- Harvard Library Copyright Advisor - Public domain status of state and local government records (clickable map)
